THE DOOMSDAY MACHINE
based on the original script by
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If you’re still reading this… sorry for all the white space at the end. But it’s the final frontier, you know?
I still consider James Blish an elegant writer. But I have to question one or two of the plot changes he made in some of these adaptations; for example, the fate of Decker, see above. But it’s fine—this was the story I wanted to write about in a competition when I was ten years old, so 140 years later, here it is. So mote it be, so may it lay.
This will conclude summer 2014’s DOOMSDAY MACHINE FESTIVITIES. See you next time.