Cool, yeah? Well, let me share something.
When I was sixteen I turned in a self portrait that was easily as “strange” as this one. My teacher went berserk. She went out of her mind. My self-portrait wasn’t “realistic.” I didn’t accurately capture the mirror, I wasn’t “mature” enough to draw myself.
“But I feel distorted,” I told her. “I feel like a cyborg.”
(I implanted cybernetic elements to my face, WAY before TNG and the Borg.)
My art teacher wouldn’t have it. My self portrait was rejected from the art show.
Decades later, I am glad my son’s work is appreciated and shown to others. It’s better than mine! Far better. My former art teacher is somewhere… old and decrepit, no doubt, and I doubt she would even remember me.
But my son is only 16. He will produce marvels in the years to come.
If ever an actor faced evil, death, oblivion— it was Max Von Sydow.
He played chess with Death, he was the Warrior Priest the demon feared.
He knew evil well enough to play it. Even for laughter.
I started a story about Max. It’s called…
I wanted those three characters, Block, Merrin, and Ming, as played by Max, to offer their thoughts on the apocalypse. Note the small “a.” As I write this, the world is currently going mad because of a virus, Corvid-19, or The Coronavirus.
I am not going mad.
Because though Max Von Sydow is no longer with us, I will relay on his examples of strength. His path through darkness, his wisdom and his fortitude. Yeah, I’m sorry Max passed this day— but I am grateful for what he has left me. So mote it be.
Because The Sisters of Mercy released a new song.
“Not yet.” — Gloriana Blitz, Doomtroopers
So, four major unfinished pieces remain on the desktop.
MaxVonSydX3 is a short story about Father Merrin from The Exorcist, Antonius Block from The Seventh Seal, and Ming The Merciless from Flash Gordon sitting down to an Ultimate Last Supper with a curious bystander at the end of the world… two curious bystanders, if one counts the story’s AI, and I do. Hilarity ensues!
What’s the hold-up? This damn story! Goddammit, I had 20-odd pages —some would say very odd—of notes and sketches that were destroyed in THE EXTREMELY UNFORTUNATE ANNIHILATION OF DRAX SHIT IN THE BLACK FALL OF 2018… I don’t want to even glancingly reflect on what was lost. It was bad. “Catastrophic” doesn’t come close. Anyway, those 20-odd pages were among those items lost forever. And I was so bent, man; some of those pages were hot. So I didn’t want to think about this story for a long time. But hey—it wouldn’t leave me alone. So I am thinking about it, and writing it. We’ll see.
WORLD WITHOUT BOWIE is… weird. (There’s a shocker.) But seriously. It’s about a failed writer on the last day of his life and a tied-up girl. There’s also a spooky messenger in a cemetery, malevolent gravediggers, and a race of all-powerful aliens. And a tied-up girl. Who’s always tied up. For the entire story.
What’s the hold-up? Man, for the longest time I didn’t know what the flying fuck this story was. [Spoiler: a completed short story version of it is currently under consideration for a forthcoming anthology. We’ll see! Whoo-hoo!] But I really didn’t know what the fuck World Without Bowie was, what it was supposed to do or be. Another spoiler: I started it the day after Bowie died. Yes my gears grind slow.
I can tell you this much: when completed it will be a long short story / novella / short novel. And while some of the details mention above might sound like very familiar territory, it will be unlike anything I’ve ever written. ’nuff said.
Ah, HEAVY. Formerly GRAVITY. But too many movies and books claimed that title for my liking, hence the change. Which suits me just fine. What’s it about? See above. The cover says it all. Crashing planes and rock and roll.
What’s the hold-up? It can be summed in one word: FEAR. Of pulling the trigger, of completion, of final form. I think I am inching closer to that final form, however, which will be a short novel.
And my great unfinished “great American novel,” DARK AUGUST. This project suffers the same disease as HEAVY. But it’s on the desktop, and I poke it regularly. It will be a full-length novel. Edited to add: DA‘s now a widget in the “forthcoming” category. So it’s out of the drawer.
And, while this book is not currently on the desktop…
Yeah, it will continue. Once I’ve got the hook.
Re-paginated for your reading pleasure! 287 pages of literal Earth-shattering fun, fun, fun! The interiors look… decent. The art falls where it should and the text is much more pleasing to the eye. Functional/appropriate gutters, too. So, yes, constant reader; I urge you to go forth and purchase DOOMTROOPERS.
Art by Christina Chen
Ye Gods! So proud of Drax Childe Prime! Now if I could just convince her to change her major. Social work. Jesus. But I am hardly in a position to complain! I am rightly chuffed by my precious witch-powered charge. Onward!
ENTRY! We were pleasantly shocked by Tarantino’s Once Upon a Time… In Hollywood. Nostalgic without tripping into sentimentality, outrageous but sidestepping the obnoxious, the enfant terrible’s 9th film is nothing less than a joy. Leonardo DiCaprio plays a fading TV star in 1969 L.A., aided and backed-up by Brad Pitt, his stunt-double, wingman, and de facto best friend. Also on hand is Margot Robbie as DiCaprio’s new neighbor, Sharon Tate(!), a very tricky maneuver that Tarantino handles with the gentle grace of a fairy tale. And hence the title. It’s a bold move but it surprisingly satisfies. Once Upon a Time delivers all the pleasure of a good novel written by a trickster who has at last revealed a tender heart.
Once Upon a Time… In Hollywood is streaming now on Amazon Prime.
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ENTRY! Thank the Gods for John Coulthart, the artist, designer, and occasional writer who dazzles us each week with his Weekend Links. This time he wakes us from our stupor with the long out of print Blade Runner Sketchbook! It was more than just flying cars, kids.
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ENTRY! Kemper Norton’s new album, Brunton Calciner
Nobody does contemporary British neo-folk goth experimental better than Kemper. But don’t take my word for it, give him a listen. And while we’re talking music…
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ENTRY! Maiden’s mastermind Steve Harris speaks to Rolling Stone!
You’re also still doing “The Number of the Beast,” which got you in hot water with the far right in America in the Eighties for its satanic imagery. How did that one come together?
It was things like watching The Omen but it was more inspired by a poem [by Robert Burns] called “Tam o’ Shanter.” I’ve just always liked reading books and watching horror films.
Full Interview HERE.
Photo: Haunted Museum of Nature
HELLO, hello! May we please go vertigo? We will accept your silence as an implicit yes so here we go, shuffling through the wrinkled Snickers and Twix wrappers and uneaten candy corn of Halloween, another Samhain come and gone, sad but true but oh babies, don’t you panic! By the light of the night it’ll all be all right, we’ll get you a satanic mechanic…
Entry! HEXES The Final Issue, aka The Final Hex is shaping up to be the thing of things, an issue compiled entirely of original material solicited exclusively for this issue. You might want to re-read that sentence, because it’s quite the break from normal operations in HEXES land. Ya see, the modus operandi usually went like this: The Creep in the Art Department would find an image so compelling he just HAD to turn it into a magazine (or webzine, if we’re splitting atoms) cover, and then it was over to the editor (moi) to scour that week’s internet offerings for an engaging TOC and links, featuring clips of text and very pretty pics, and that was that. There were exceptions, of course, most notably in the “themed” issues, such as THE VAMPIRE SPECIAL and HELL AT LAST and DEATH BY SOUND. But even so, any given issue of HEXES was compiled entirely of preexisting material.
Not so for The Final Hex. The final issue will consist entirely of original pictures and words commissioned specifically for the bid bad swan song. Big artists, Big writers. Behold, The Creep’s call for cover models…
Of course it’s internationally recognized! We have readers in the UK, Europe, Asia, Russia. Just sayin’.
At any rate, The Final Hex will be the Bees’ Knees, the Show of Shows. But we already know of at least one feature that won’t be included…
Entry! SABBATH by Nick Mamatas…
…will be published by Tor later this month. I had originally planned on reviewing said tome in The Final Hex. However, once I began approaching certain artists and writers for the above mentioned original material, I realized they needed a doable deadline (which is December 31st, curious scribblers). SABBATH pubs in a few weeks, so my review will coincide with the release. Perhaps Nick will agree to an excerpt for inclusion in the Swan Song. Who knows? In the meantime, stay glued to these pages…
Special thanks to Tor for the ARC
Entries! Current (and currently favorite) Book: MOON by Oliver Morton. It’s a masterpiece, and Morton is nothing less than a poet.
“Oliver Morton explores how the ways we have looked at the Moon have shaped our perceptions of the Earth: from the controversies of early astronomers such as van Eyck and Galileo, to the Cold War space race, to the potential use of the Moon as a stepping stone for further space exploration.” And so much more. This book belongs on every Lunaphile’s shelf.
Followed by the very best heroic action film we’ve seen in way too many Moons, ALITA, Battle Angel!
This movie kicks ass, man, putting all the Marvel shit to shame… Wait, what? What’s that you say? Ah. The answer is Nnnno. I am in no way prejudiced or predisposed to sing Alita’s praises. Yes, I loved the original manga and 90’s era anime, but if anything that love would make me even more critical. Example: I liked this “live-action” version of Alita far more than I liked the 2010 live-action version of Space Battleship Yamato. There are solid reasons for Alita’s potency, as it was directed by Robert Rodriguez with a screenplay by James Cameron, who also served as producer with Jon Landau… um, these guys know what the fuck they’re doing. They deliver the goods.
Entry! For all the limp scarecrows.